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Satie the Bohemian: From Cabaret to Concert Hall

Steven Moore Whiting March 16, 2020

Satie the Bohemian: From Cabaret to Concert Hall Steven Moore Whiting The composer Erik Satie 1866 1925 came of age in the bohemian sub culture of Montmartre, with its artists cabarets and cafes concerts These colorful milieux decisively shaped his aesthetic priorities and compositional strategies, from the esoteric Gymnopedies of the 1880s to the avant garde ballets of the 1920s Whiting makes this radical transvaluation of received artThe composer Erik Satie 1866 1925 came of age in the bohemian sub culture of Montmartre, with its artists cabarets and cafes concerts These colorful milieux decisively shaped his aesthetic priorities and compositional strategies, from the esoteric Gymnopedies of the 1880s to the avant garde ballets of the 1920s Whiting makes this radical transvaluation of received artistic values understandable by placing it in the full context of bohemian Montmartre.

Satie the Bohemian: From Cabaret to Concert Hall Steven Moore Whiting

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    Posted by:Steven Moore Whiting
    Published :2020-03-16T21:32:26+00:00